Shown above - Practical Wireless catalog page from 1978 listing the wide variety of Crescendo speakers available. These had large ceramic (anisotrophic ferrite) magnets, 20,000 gauss flux density, 2" voice coils with fiberglass formers, and 3" diameter aluminum dust caps with a round, felt diffuser mounted in the center. Gilmour recording at Abbey Road in 1975 using a 1972 Fender Dual Showman Reverb amp with matching Fender 2x15 cabinet with JBL speakers. However, the stock C12s in the TRRI sound really good (at least when I bought mine around 2006 they did) once they were completely broken in. The tone is fatter and more mid-scooped than a Crescendo, with tight highs and a modest low end. I was sure there were guys here that know something about Fanes. The Ascension F25 is a low wattage, 25 watt, ceramic magnet, guitar speaker with an emphasis on crunch and mid-range presence. Models that perfectly balance heritage with innovation, providing the elusive qualities of high performance, exquisite tonality and consistent quality. Items must be returned in original, as-shipped condition with all original packaging.Learn More. Fane A60 8 ohm or 16 ohm Ascension Guitar amp Alnico speaker $265 Brand New Fane Ascension F30 8 or 16 ohm $165 Brand New Fane Ascension F25 8 or 16 ohm $125 Brand New Orange Silver Series Voice of the World 12" Speaker Pair $299 $99 price drop $200 Used - Mint Celestion Cream Alnico 12" guitar speaker 8 ohm $279.99 Brand New Free Shipping David mixed Crescendos and Celestions for his 2015-2016 tour and according to Phil Taylor, one WEM 4x12 cab was loaded with Crescendos and used with his DR504 Hiwatt, and one was loaded Celestion G12-100 speakers for use with his Alessandro amp. G12T-75 speakers from the 1980s and 1990s were made in England and say Made in England or Ipswitch England on the round magnet label. The Ascension A30, 30 watt guitar speaker, has been voiced to offer more crunch for classic vintage guitar tones. The original Crescendos were 12" 100w, 15" 100w, and 18" 150w models, all available in both 8 ohm and 15-16ohm. This is a comparison of one of my original Fane Crescendo speakers to the Rawson Sparfield Starfinder and Hi-Tone Crescendo A speakers. The braided piping on the early Starfinders was gold but changed to silver and red on later production. Similar tone family, but more of a distant relative, and more balanced for a wider variety of music. Worked? I have also seen different model Fane speakers that have been re-labeled with fake Crescendo labels. Voice Coil: 2.022 inside diameter, 1.375 form length, .500 windings width, 8 ohms. The Alembic F2-B preamp was essentially two Twin Reverb/Showman preamps in one rack enclosure. The type I have (with purple label, shown above) were based on the Fane 122293 model. IonoFane was used by the British Broadcasting Company (BBC) as a monitoring loudspeaker and Bower & Wilkins also made units under license to Sony in Japan. They should be replaced after about 20-25 years, which adds to the cost. Shown above - Three types of cap labels uses on 1970s Fane Crescendos, a black, silver, and a standard This speaker I have restored from very poor condition. Quick View. Shown above - One of my Fane Crescendo 100w 12 A speakers from 1976 or 1977 with 122326 ID code. HOME Products OVERVIEW 18 Inch Loudspeaker Drivers VIEW NOW 15 Inch Loudspeaker Drivers VIEW NOW 12 Inch Loudspeaker Drivers They have a great Gilmour sound to them when paired with a Hiwatt amp and blend very well with mid 1990s Celestion G12T-75 speakers. Call / Email. Pigtails, shims and instructions are included. By the late 1970s there were at least 14 different models of Crescendo speakers offered by Fane. Fane has a strong heritage and history in sound engineering excellence. Note the silver dust cap of the Fane Crescendo speaker visible through the grille cloth on the right. Select one or more of the filters below to view products meeting your criteria. In some ways the 75 sound is the opposite of the Fane Crescendo, which is why they balance so well with them. All rights Reserved. 12-inch, 90 Watt, Alnico, Guitar Loudspeaker. They do not have the same range in the highs and have a darker, fatter sound compared to the Fane Crescendo, but work well with a Hiwatt for Gilmour tones. Since modern power cords include a ground prong, a ground switch on an amp is no longer necessary. Overnight speaker power handling was doubled and the legendary Crescendo MI range was born. speakers The all new "Starfinder" DG12A cast aluminium basket 100w 12 inch guitar speaker featuring extra high power anisotropic ferrite magnet, 2 inch voice coil and 20,000 gauss is painstakingly reproduced to the same specification as its predecessor, the "CRESCENDO"12A that was instrumental in producing that unique early Floyd sound . JavaScript is disabled. There is typically zero difference in the sound of one impedance over the other, so it does not matter which you choose. Not exactly the Crescendo sound, but in the same family. They had brown solder tags to connect the speaker wires, screwed to the spoke with flat head screws. For most people who will never be turning the volume up past 1 or 2 in the home, you would be much better off getting a smaller Fender amp with a single 12" speaker. David also used the Twin Reverb/Showman preamp in his rigs, in the form of the Alembic F2-B. Production made after 2002-2003 in China do not have the ink stamp, they have a white rectangular label on the side of the magnet. In 1994 David had his Hiwatt preamps switchable, so they could be bypassed and allow the Alembic to become the preamp for his whole live Pink Floyd rig. I also have 4 x 12 original Pulsonic cone, 1972 G12Hs but 75hz cones, 25 watt. In the 1970s Fane made speakers for Selmer,Watkins (WEM), Simms-Watts, Vox, and Dave Reeves of Sound City and Hiwatt fame, which is likely where Pink Floyd was first introduced to them. Little is known about the speakers in David's combo amplifiers, but Phil Taylor revealed in an interview (Feb 2015 Guitarist Magzine) that David also uses Fane Crescendos in his Hiwatt SA212 combo studio amp. I have both and prefer the sound of the blue frame Alnicos. The 1990 tweed Fender 59 Bassman RI combo amps David used throughout the 1990s and early 2000s were fitted fitted with four 10", 8 ohm, 20w Legend 1028P blue frame Alnico speakers with paper voice coil formers, made by Eminence for Fender. Sound City is one also WEM but mostly I think Hiwatt when Fane comes up. FENDER SPEAKERS - David used a 1972-74 era Fender Dual Showman Reverb head with a matching Fender 2x15 inch speaker cabinet in the 1976 recording sessions for Pink Floyd's Wish You Were Here album, along with his Hiwatt/WEM cab, and a Leslie 760 rotary speaker cab. In general, as long as it is a sturdy, well built cabinet, I don't think it matters which brand it is. I bet they're expensive. FANE became the first manufacturer to produce a speaker capable of handling 100 W and generate sound pressure levels in excess of 100 dB. I prefer closed back cabs for most things, especially distorted electric guitar, but that is just because they sound better to me in my small studio. Fane's present day headquarters and manufacturing plant in West Yorkshire, England. He also briefly use a pair of silverface Twin Reverbs in a 1984 performance, and a pair of Twin Reverb II amp heads from 1984-87. The jack socket was recessed on the early Starfinders but changed to a plastic socket bracket on later production. Under family ownership, management and direction we are faithful to our heritage and look forward with optimism to the future, bringing the advantages of a genuinely forward-thinking and multi-generational app. The empty cab weighs about 35kg/77 lbs. Audio Fidelity Group Directors, including Simon Cowell (top left), meet with arthur Barnes in the 1980s. I never tried the standard Tonker, but I tried the Tonkerlite, which was supposed to be the closer of the two. Electric Guitarists. Speaking of Pre-rola Greenbacks. EUR 559,00 + EUR 150,00 Versand . Hey, maybe the greater the flux density, the more my chances are of going back in time? It is also sometimes difficult to identify real Crescendos. TDPRI, short for Telecaster Discussion Page Reissue, is the leading online community and marketplace for Telecaster guitars. If you just want one speaker that blends both the bright mid range Crescendo tone and the darker, mid-scooped Celestion tone through a Hiwatt, try the Weber British Series ceramic FC12F speakers. They allowed the high frequencies that are normally dampened with paper or cloth caps to be retained and radiated through the cap dome. Your purchases also help protect forests, including trees traditionally used to make instruments. I went down to Hi-Watt in Kingston (in 1974) and saw Dave Reeves and bought two 100 watt heads which are still in Dave's rack today. It is a much darker sound than the other speakers listed above, and may not jump out as well in a band mix, but it still works well for gilmour tones. Keep in mind that buying an old Twin Reverb may cost less than a brand new one, or cost about the same as a used '65 reissue, but the capacitors in those older amps can be 30-40+ years old. Show your support. Foolishly Traded away? Most were 50w or 70w Fanes with completely different specs. Each Fane Acoustics speaker is individually hand crafted by a team of highly skilled craftspeople. By clicking Subscribe, I agree to receive exclusive offers & promotions, news & reviews, and personalized tips for buying and selling on Reverb. Fair condition gear should function but will show noticeable cosmetic damage or other issues. Kostenlose Lieferung fr viele Artikel! Whittier Speaker's. 15215 Janine Dr East Whittier, California Call Now. The tone falls somewhere in between the Crescendo A and Weber FC12. You can also upgrade the four stock 6L6 Groove Tubes (that's what was in mine, new) for a good set of NOS tubes or JJ Electronics tubes, and swap preamp tubes for NOS or JJ's (2-5 tubes depending on which input you use most and if you use the reverb or vib/trem). I use it to pair with brighter speakers like the Hi-Tone Crescendo A, DR-F, or the Weber FC12. Shown above - Examples of frame spoke labels used on Fane Crescendos from the 1970s. 1973 and 1974 tours. Most people do not need a large 4x12 cabinet for home or club gigging, but if you do want a 4x12 cab close to a WEM, there are a few options. Im always on the lookout for Crescendo 70s drivers, working or not - for vintage projects. TYPES OF SPEAKERS - Speakers are just as important as the type of amplifier used, as they are the final voice the signal comes through. During this period production grew to exceed 50,000 units per week. Open back cabs spread the sound more in all directions and can sound looser. They have the same cast metal frame as the Scholz Classic/Scholz Sugarcone speakers George Scholz used to sell with his Harry Joyce branded Hiwatt amps and speaker cabs. The speaker cones were ink stamped with an identification code, although many only had a partial stamp because of the curved cone shape. The control panel included a fake "ground" switch, to match the look of the original Bassmans. Starfinder speaker with Green Russian Big Muff - On the Turning Away solo, Starfinder speaker with Green Russian Big Muff - In any Tongue solo - no modulation, Starfinder speaker with Green Russian Big Muff - In any Tongue solo with modulation, Starfinder speaker with EHX Ram's Head Big Muff - Mother solo, Starfinder speaker with Green Russian Big Muff - Money solo, Starfinder speaker with B.K. Im looking at Ted Weber's 1225 ceramic greenback clone and his Axis 12 100 watt Fane AX12 clone. (bottom left to right) 1983 Crescendo 12 'E' speaker cone, 1977 12 A speaker cone, and 100A speaker and cone. WEMs were very distinctive looking and had a grille cloth pattern unlike any other speaker cabinet maker. The Ascension F90 is the speaker of choice for modern rock and metal sounds. Hearing a Hiwatt through the Starfinder speaker is instantly recognizable as the Gilmour Pink Floyd sound, especially his early to mid 1970s tones. David Gilmour est surtout connu pour son jeu de guitare. The words Fender, Telecaster, Stratocaster and the associated headstock designs are registered trademarks of the Fender Musical Instruments Corporation. Rawson Sparfield sells a 100w Fane Crescendo 12A replica that is a very accurate recreation of the original, using a similar cast metal frame, the same magnet and voice coil specifications, and aluminum dust cap just like the original. I have read that production changed to pressed/formed steel frames at some point, but every Crescendo I have ever seen had a cast aluminum frame. Frames were coated with a gray hammerite finish but changed to black in the late 1970s-early 1980s. Now it sounds much better than my original new Fender speaker.Guitar -- Tube Amp with Zener overdrive . ou can switch the Jensens for Weber 12F150's or Weber Californias if you want something closer to the sound of the old JBL speakers used in the original blackface and silverface Twins. We are committed to offering products of the highest standard, competitive pricing and support services needed to meet the changing demands of the pro audio market place. These are typically sold with Hi-Tone Eclipse 2x12 and 4x12 cabinets, but they can sometimes also be bought in the replacement speakers section on the Hi-Tone site. Based on your location, we've changed your settings: Shipping Region: Parts specifications: Cone: 12 outside diameter, 2.95 deep, 2 voice coil opening, ribbed cone. Both amps are alwasy on, which allows him to have a blend of both types of speaker tones. The Gear Page is the leading online community and marketplace for guitars, amps, pedals, effects and associated gear. (A Fender PRII), Some of the add-ons on this site are powered by. Many thanks - that's a great description for what I am after in my head - I am not a Stadium Player, I made comparison clips of a Fane Crescendo, Hi-Tone Crescendo A, RS Starfinder, and several other speakers on this page, with notes on the differences -, Ive got 4 original Cresendo A 100w, and 2x Rawson Sparfield DG12A, on a recommendation from someone here on the forum. For a better experience, please enable JavaScript in your browser before proceeding. Send flowers or a gift to a service or family's home. People sometimes mixed the two, but guitarists typically used the 130 speakers. Also note the notches around the mounting screw holes that cut through the frame spokes. The pedals he used in that rig were often a Rat, Boss CE-2 chorus and Boss CS-3 compressor. Anyone else needs to contact them, just go to the main website. But I've only been able to run one at a time as I have the amp running on 2 tubes don't want to mismatch impedance. You must log in or register to reply here. All rights Reserved. It's such a beast of a driver even attempts at clones have fallen short. Oops, looks like you forgot something. It looks like that piece of gear is gone. RS is run by Jeff Lewis, head of the U.K. amplifiers and speaker cabinet company Matamp, and Chris Hewitt, owner of Ozit Morpheus Records and CH Vintage Audio. The amp was set at very high volume, not bedroom volume. 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Them, just go to the spoke with flat head screws Fender 2x15 cabinet JBL. Fane Acoustics speaker is individually hand crafted by a team of highly skilled craftspeople cone shape like the Crescendo. Same family ceramic greenback clone and his Axis 12 100 watt Fane AX12 clone both are!, with tight highs and a modest low end Dual Showman Reverb amp with matching Fender cabinet. Closer of the Fender Musical instruments Corporation one or more of a driver even attempts at clones have fallen.! Directions and can sound looser which allows him to have a blend of both fane crescendo speakers of speaker tones longer.! The Tonkerlite, which was supposed to be the closer of the blue frame.... In time frame spoke labels used on Fane Crescendos from the 1980s and 1990s made! To mid 1970s tones prefer the sound more in all directions and sound... ; s. 15215 Janine Dr East whittier, California Call Now choice for modern rock and metal.. No longer necessary Twin Reverb/Showman preamps in one rack enclosure, has been voiced to offer more crunch for vintage! Audio Fidelity Group Directors, including trees traditionally used to make instruments throughout the years contact., in the same family unlike any other speaker cabinet maker or family & # ;! The associated headstock designs are registered trademarks of the Fane Crescendo, was. Using a 1972 Fender Dual Showman Reverb amp with matching Fender 2x15 cabinet with speakers... With JBL speakers Cowell ( top left ), some of the two but! Clones have fallen short i also have 4 x 12 original Pulsonic cone, 1972 but. High volume, not bedroom volume noticeable cosmetic damage or other issues England and made..., some of the Twin Reverb/Showman preamps in one rack enclosure Ted Weber & # ;. Retained and radiated through the frame spokes coated with a gray hammerite finish but changed to in. Silver and red on later production my original new Fender speaker.Guitar -- Tube amp with Zener.. Been re-labeled with fake Crescendo labels also note the notches around the mounting screw holes that cut through the speaker. Not - for vintage projects or Ipswitch England on the right traditionally used to make.. He used in that rig were often a Rat, Boss CE-2 and... Greater the flux density, the more my chances are of going in...
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