Purpose-built dance halls had a confident street presence that was not always the case with conversions. Worked in the downstairs bar. In the 1920s, borrowing from US cinema designs, atmospherics was widely used to create escapism in the dance hall.Footnote 87 This design trend was about bringing the outside inside, with interiors made to resemble Spanish patios or Italian villa gardens (as seen in the Spanish Hall at the Winter Gardens in Blackpool, and the Italianate lake backdrop on the main stage in the Tower Ballroom). In 1997 it was given another makeover and re-appeared as a new night club. Palladium is one of six metals belonging to the platinum family, and it has a melting point of 2831 degrees Fahrenheit. A small group of young lads would gather in Gedling and make their way to the number 50 bus about 11am. The first requirement was sufficient uninterrupted space for a large dance floor. The building opened as a palais de danse to replace Victoria Halls in Talbot Street. Lots of similarities for me, meet at the Man in Space at Hiltop, jump on the bus from Ripley to Nottingham, mooch down Parliment street I think and into the queue. Privacy Statement - opens in a new window, Community website is a hit in Mansfield and overseas, December 2005 - A Happy Event in Forest Town Welfare, The Hippodrome / Century / Granada Bingo - Midworth Street Mansfield. Postcard view of Cricklewood Dance Hall and Skating Rink, 1920s (author's private collection), The entrepreneurs behind Britain's first palais de danse, Booker and Mitchell, attracted an impressive 30,000 investment from shareholders, including the margarine manufacturer Sidney Van de Burgh.Footnote 33 The Hammersmith Palais was an instant success. Both moved on from the band around 1967 to have successful careers in business. 57 For a full discussion of the moral panic associated with dance halls, based on allegations of immorality, misbehaviour from youths and concerns about race, see Nott, Going to the Palais, passim. 2), is a good example from the dance hall's final era.Footnote 27 The tiered stage was decorated with a diamond pattern inlaid in metal against black, while the stage surround was constructed from wooden batons finished with shiny copper banding decorated with stylised stars. Last saw Pete and Chris about 8 years ago coming out from Forest. 3738Google Scholar. except they were a three piece, there's been talk here of "The night chicago died" listen to this, http://www.youtube.com/results?search_query=3+little+bears+jimi+hendrix&aq=6&oq=3+little+bears ! also a Big Rob Smith spin during those days was Hank Diamond-Soul sauce, another was the Motown girlie spin: Hang on Bill-Little Lisa. When we got there we would amble down from King Street to Broadmarsh where I would meet with my soul gal back then (Sharon Dring if anyone remembers). The low cost, from 6d. That was huge for a while at the Palais until it went, as we would term today "Viral". We reverted back to the name Our Young. Or by navigating to the user icon in the top right. We also played the Festival Hall, Kirkby as well as many pubs and clubs in the area. top palias sounds well there's been quiet a few but here go's. Each year from 1918 to 1965, between roughly 2000 and 3000 venues were licensed for regular dancing in Britain.Footnote 4 The number of venues in individual towns and cities could be correspondingly large. I dont have an exact date for this but it would be about March/April 1968. Any reccomends? Fig. 11 See Atwell, David, Cathedrals of the Movies (London, 1981)Google Scholar; Eyles, Allen, ABC: The First Name in Entertainment (London, 1993)Google Scholar; Gaumont British Cinemas (London, 1996)Google Scholar; The Granada Theatres (London, 1998)Google Scholar; Odeon Cinemas 1 (London, 2002)Google Scholar; Gray, Richard, Cinemas in Britain: One Hundred Years of Cinema Architecture (London, 2011)Google Scholar; Harwood, Elain, Picture Palaces (London, 1999)Google Scholar. The building opened as a palais de danse to replace Victoria Halls in Talbot Street. 509-511 Alfreton Road Skyy Bar 511a Alfreton Road Stork Club (2) Blueprint Club Bluecote Street The Junction Bottle Lane Arriba (1) Nick Palmer Paul McKenzie 45 Bridlesmith Gate Le Gourmet The Hippo Alex Smith Pat Petal Petal Mr Millers Nick Palmer Camelot Howard Cooper The Hippo (1993 ?) 30 The Rivoli, Brockley, and the Ritz, Manchester, are both recognised for their special interest as listed buildings. I took Sharon by the hand, tapped Mark on the shoulder and told everyone we'd see them shortly and that was it, the 3 of us heading straight to the front doors, and in. It provides the first overview of dance halls from an architectural and spatial history perspective. Hot Legs are basically the band 10cc, comprising Eric Stewart, Lol Creme, Kevin Godley and Graham Gouldman. Its emergence and popularity following the First World War reflected improvements in the social and economic well-being of the working and lower middle classes. In the 1920s, the class profile of the Nottingham Palais varied from day to day, as private functions closed the hall to the general public and attracted a more specialised, usually middle-class audience. Subsidiary facilities included a large restaurant located off the main space and a caf surrounding the dance floor, together with a separate ice cream soda bar.Footnote 46. My hometown regular all dayer venue it's the place where the first Sunday in very month we would go and offer worship and praise to the great god Northern Soul. Now in those days doormen weren't the breed they are today. Used to go to colemans at the weekend, upstairs i think, we would just walk round and round and round, crazy. What happened to them? See also Ward, Colin and Hardy, Dennis, Goodnight campers! 33 Liverpool dance-hall owner Malcolm Munro suggests that the first palais de danse in Britain was opened in Liverpool in 1913. 18 The expression palais de danse was introduced by the owners to add an air of French sophistication and subsequently came into common usage in Britain. 23 The Builder, 14 November 1924, p. 799. 84 The Stage, 10 August 1961, p. 5, and Nathan, P., ed., CLH says The Collected Observations, Instructions and Philosophies of C.L. 17).Footnote 83 The rococo-style mirrors had lights above with tasselled fabric lampshades, and sconces in between. . Hanford and Richards was on Trinity Walk. Met my late wife there in 1963. The dance hall's emergence as a distinct social and architectural space was shaped by its varied roots in both the social world of the elite and the growing leisure industry of late nineteenth-century Britain. 99103, and Architectural Review (June 1961), pp. Good times. We are both still alive and live in a rural area of the Wairarapa 90 minutes drive north of Wellington. The one at the Mayfair in Newcastle, which opened in 1961 (Fig. Well it was a Christmas party being held for all the children of the staff who worked at the Palais. Our paths must have crossed mate another name from your list I remember Martin Green not seen him for years, Andy Cannon what a starr,yes Tom's living in Clifton now last time I saw him he seemed quite well, funny thing you mentioned about Chris & Forest one time he'd just got back from Anfield me & Tom Cragg dragged him too Stafford for a nighter great days. Just searched "The Spy" on Youtube. The Leeds Locarno also had an Americana food bar and Flamingo coffee bar, all indicative of a popular interest in travel and the exotic. 12. Regular contributor, Michael Clarke, caught up with Adrian Tilbrook, who was the bands drummer at the Humberstone Gate Mecca dance hall in 1968-69. It was founded by Carl Heimann, who in 1927 created an offshoot of the parent firm Ye Mecca Cafs. 40 Modern Dance and Dancer (March 1938), p. 13, and Munro, Dancing Mad. I remember Love on amountain top being a big spin too. At one end of the social scale, it emerged from the ballrooms of large country houses, elaborate hotels, restaurants and private clubs frequented by the upper-middle and upper classes. One of my mates actually hit it off with a young lady and did eventually marry her and still was, up to a couple of years ago. Promoting its opening night in 1925, for example, the Nottingham Palais drew attention to its luxurious lounges with settees and gold chairs, and its refinement in serving dainty teas.Footnote 79 Uniformed attendants, smart waiting staff and an attention to service all added to the creation of an atmosphere previously reserved for those in higher levels of society. The designs also included a health centre, squash courts, gym and rooftop gardens. 56 The Builder, 14 November 1924, pp. I do need to take in an East Anglian event. I gathered you had moved down south as it were. Keith also told me that Ric Lee is writing a book and once some legal wrangles are sorted it should be published under the title From head stocks to Woodstock. The line-up of the orchestra had changed, also the name Carmen Sylva (for his orchestra) vanished. 54 Brodie, Antonia, ed., Directory of British Architects 18341914, 2 vols (2001), II, p. 809Google Scholar, and Nottingham Civic Society, Draft List of Local Heritage Assets of the City of Nottingham, 9 December 2013. Indeed, the first palais de danse in Britain, the Hammersmith Palais, was opened in 1919 by two American businessmen (Howard Booker and Frank Mitchell) who had seen these developments at first hand.Footnote 18, Fig. It was the regular venue for the South Nottinghamshire Hunt Ball, the Robin Hood Ball, the local Conservative Party Ball and various large company dances, all of which attracted local dignitaries and leading businessmen. This phase ended in tears after police intervention. Nottingham Palais paid more than laying a new dance oor, and in October the Hammersmith Palais spent on a maple oor.19 The installation of dance oors required consideration of several crucial issues. The dance floor was flanked, beneath the balcony, by two long areas of seating and tables, and a snack bar and lounge were located just off the main hall.Footnote 59 The decorative scheme in the hall included a central fresco of dancing maidens (possibly with reference to the city's local hero Robin Hood), which continued on the side walls. 43956CrossRefGoogle Scholar. Bandstand at the Mayfair, Newcastle, opened in 1961 (Tyne and Wear Archives and Museums), As tastes changed, dance halls took over the venues of other, declining leisure pursuits. Many of the businesses behind these dance halls were local consortiums made up of investors with other interests in the entertainment industry. 77 Smith, H. Llewellyn, ed., New Survey of London Life and Labour, vol. The site became vacant when Nottingham Prison was demolished. In planning terms, it also reflected the thinking behind the Buchanan report on Traffic in Towns of 1963, as the precinct was designed on the principle of separating pedestrians and cars. The two I remember most at both the Palais and Coleman's were the Malibus - Gee Baby (I Love You), and Johnny Ross and the Soul Explosions' version of I can't Help Myself - a 200mph belter. As with many other aspects of the dance-hall business, the Mecca group was at the forefront of developments, most notably introducing the revolving bandstand. The development of seaside holiday resorts, with their numerous amusement facilities, also provided the physical spaces and business experience necessary for the emergence of the dance hall. One of the main events of the year was the General Hospital Ball which transferred to this venue in 1929. Alternatively, two different stages had to be constructed, which took up valuable space in the hall. The Palais de Danse is Nottinghams most famous nightclub. It also had dedicated band rooms for the musicians. At Christmas? 78 Carl Heimann cited in Anon., Stepping Out (London, 1940), p. 54. These are well conjured in the description of a Bolton dance hall in 1938: Pausing to smooth your hair in the mirror, you go through the foyer, up more carpeted stairs. Here's a few that I'm talking about (I could list loads). From the mid-1960s, dance halls were rapidly replaced by discos and nightclubs, or closed altogether. The dcor was a patterned backcloth, reminiscent of bubbles of water, based on Roy Lichtenstein's painting Landscape with Boat. Postcard view of aristocratic mural paintings in the vestibule of the Palais de Danse, Derby, 1923 (author's private collection). I went by the nickname "Bonk" back then if that rings any bells. On its growth in northern English towns in 1920, the Cheltenham Chronicle commented: Dancing, with the pictures and football, fill in all the non-working hours in our great manufacturing towns, and, as a consequence, dancing masters not only teach the young how to step, but provide handsome dancing halls for them.Footnote 2, By 1938 it was estimated that around 100 million admissions were made to dances every year, and the figure doubled by 1953.Footnote 3 The dancing halls that sprung up to cater for this unprecedented demand developed into unique social spaces and a distinctive new building type of the twentieth century. 17. Stuart hails from Rainworth and now lives in Worthing whilst Keith was from Huthwaite and now lives in Swinton, South Yorks. The interior of the Nottingham Palais (Fig. The Palais De Dance Nottingham, my big ( older ) Sis used to go there a lot in the mid 50s The Palais de Danse, Nottingham. I featured on a few backing vocals too until someone actually heard me!. 52 Nottingham Evening Post, 10 September 1924, p. 5. Restrictions were enforced by dancing skills, or lack thereof, and the etiquette and rules laid down by the venue; and not least the pressure felt under the ever-watchful eyes of the masters of ceremonies, dance-hall staff, friends, peers, even mothers and fathers.Footnote 97. The last I heard (Mind you this was mid 90's before my sojourn to lands foreign,) they were still going in one way shape or form . The architects were Thraves and Dawson.Footnote 53 Nottingham-based Alfred J. Thraves (18881953) became a prominent architect in the East Midlands area and designed several high-profile buildings in Nottingham, including the City Mission, although he originally made his name as a designer of chapels. Ballroom, rock N Roll you name it. More Info Running Horse 202-204 Alfreton Road Conrads Chopins 509-511 Alfreton Road Skyy Bar 511a Alfreton Road Stork Club (2) Blueprint We also may change the frequency you receive our emails from us in order to keep you up to date and give you the best relevant information possible. no doubt. "At the time, Val was the top entertainment personality in the UK and my first concert with him, straight from the Palais, was at the London Palladium, starting a 16-week gig there.. The music rises to a final chord, the drummer crashes on the cymbal [] There is a steady din of conversation.Footnote 92. Lita Rosa, Dennis Lotus ans Dicky Valentine sang with the band. Elaborate neon lighting at the Hammersmith Palais, early 1960s, As the dance craze of the 1920s expanded, purpose-built dance halls proliferated. This crowd was going to get bigger as the day progressed. Originally named the Palais de Danse when it opened as a dance hall in 1925, it later became the Ritzy in the late 1980s, then the Palais again, Oceana, and then Pryzm. The movement was inspired by Cunninghams childhood game of skimming stones over a pond. The entire floor thus rested on steel springs, with no dead point anywhere. Meanwhile, sitters out and balcony watchers (always a significant proportion of the dance-hall crowd) provided a constant background accompaniment with their gossip, horseplay and chatter.Footnote 95, Movement, another key sensory experience of the dance hall, was vital to the liberty and freedom it symbolised. At one stage Mike Knight, the manager of the Palais for as long as I could remember shoved a microphone under my nose and asked me a few questions but I couldn't answer them, I was far too shy and embarrassed. Naturally he played his big hits such as 'I'll go where the music takes me' but we also got 'This heart of mine' and a favourite of mine from school days 'A man like you'. Spotlights playfully danced around the crowded floor, too. The third and final type of dance hall was built as part of a multi-purpose complex. It was owned by the Mecca Leisure Group. Every aspect of their design was carefully considered by entrepreneurs who were often at the forefront of the newly emerging leisure industry. According to a Mass Observation report on Bolton's dance halls in 1938, The conclusion arrived at is that the dance hall forms a social centre which serves to insulate the individual from the unpleasant realities of everyday life. The one who lived down Colwick was still doing a solo turn in pubs and clubs, a couple of the others still toured as "Paper Lace" and did an absolutely brilliant version of "The Sabre Dance". What a pair of real gents they were and full of interesting recollections of their time with the band. 48 Daily Mirror, 12 February 1960, p. 23. By Later, in the 1950s, large numbers of redundant cinemas and theatres were converted into dance halls, as dancing outperformed both as a form of entertainment. They did not develop in a logical sequence over time, however, but responded to changing social and economic patterns. Postcard view of the Chinese themed interior, Hammersmith Palais, 1921 (author's private collection). The way in which the space was used also differed according to class. This multi-class audience for dance halls, and the democratisation it represented, was reflected in their design and even their names. The principal place of public indoor amusement in Nottingham is undoubtedly the new Palais de Danse. Easily accessible from all parts, this splendid building in Weldon stone in the Classic style forms a worthy addition to the many fine public buildings of the City. The liberation of movement offered by the new social dances of the early twentieth century was central to their terrific popularity. Even got "Paper Lace" - Billy don't be a hero & The night Chicago died.What happened to them I wonder? met my girlfriend of the time Sue Elliott daughter of Gerry Elliott ex sheriff of Nottingham and overman down Gedling pit, nearly crapped myself when I started working there and saw him. 15. Worked in the downstairs bar. 38 Parsonage, Catherine, The Evolution of Jazz in Britain, 18801935 (Aldershot, Hampshire, 2005), p. 130Google Scholar. and The Builder, 9 September 1960, p. 471. Used to love it. The swish of taffeta as couples progressed around the dance floor, the warm melodic sounds of a saxophone, the chatter of friends and partners, the sparkle of mirror balls, spotlights, multi-coloured lightbeams, and the faint whiff of Lily of the Valley or Midnight in Paris. Your first impression is of the red glow of the room red walls, predominantly red carpets, orange and red lights [] The room is crowded. and Long Row, resided Plains Row Nottm. 6). Heimann (1938). I love the Palais for introducing me to the first girl who would ever break my heart and putting me off rum for life. Ling, recognising that the removal of traffic might leave the precinct empty once the shops were closed, worked hard to keep the area alive by introducing new uses to the precinct. The architect commissioned to make the conversion was Bertie Crewe (d. 1937), one of the country's leading theatre architects, who had designed over a hundred theatres, music halls and cinemas throughout Britain, including the Piccadilly and Shaftesbury theatres in London and the Palace Theatre, Manchester.Footnote 34 Booker and Mitchell's decision to employ an architect of national standing was indicative of their determination to make an architectural statement as a way of enhancing the reputation of their new venture. The budget was large and the quality of the building located on a prime corner site adjacent to the city's busy central market area (Fig. Time with the band 10cc, comprising Eric Stewart, Lol Creme, Kevin Godley and Graham Gouldman Nottingham undoubtedly! The breed they are today purpose-built dance halls were rapidly replaced by discos and nightclubs, or altogether! Used to go to colemans at the Palais for introducing me to the number 50 bus 11am! 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