With no known link between the two men, the police would be none the wiser, would they? The psychological game that Bruno plays on Guy is to force him to kill Bruno's over-bearing father. Includes initial monthly payment and selected options. "[12] Chandler also felt that the original novel's plot was superior to Hitchcock's version, and argued that it should be restored. Strangers on a Train Blu-ray, Special Features and Extras: Commentary by Peter Bogdanovich, Peter Benchley, Alfred Hitchcock and many more. Reviewed in the United States on October 15, 2007. While there, the crew had done some other location scouting. during an early meeting involving Guy and the senator's whole family; she keeps But Miriam does not want the divorce, and instead plans to live off Haines's money. That carousel scene was not faked! Hecht suggested his assistant, Czenzi Ormonde, to write the screenplay. Unfortunately, he is serious while Guy brushes it off. producer (uncredited) Music by Dimitri Tiomkin . Fast, exciting, and woven with wicked style, this is one of Hitchcock's most efficient and ruthlessly delicious thrillers. Summaries A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. "[22] Robert Burks received the film's sole Academy Award nomination for its black and white photography.[23]. Shipping cost, delivery date, and order total (including tax) shown at checkout. Another great shot shows Bruno's face in the shadow of his hat brim, "[13], Even before sewing up the rights for the novel, Hitchcock's mind was whirling with ideas about how to adapt it for the screen. [4] "Granger is softer and more elusive, more convincing as he tries to slip out of Bruno's conversational web instead of flatly rejecting him. The Co-adapted by Raymond Chandler from a novel by Patricia Highsmith, Strangers on a Train perfectly exemplifies Hitchcock's favorite theme of the evil that lurks just below the surface of everyday life and ordinary men.CREDITS:TM \u0026 Warner Bros. (1951)Cast: Farley Granger, Georges Renavent, Robert Walker, Patricia Hitchcock, Odette Myrtil, Ruth RomanDirector: Alfred HitchcockProducer: Alfred HitchcockScreenwriters: Raymond Chandler, Whitfield Cook, Ben Hecht, Patricia Highsmith, Czenzi OrmondeWHO ARE WE?The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. [21] "To all appearances Guy is the all-American stereotype, an athlete, unassuming despite his fame, conservatively dressed," wrote Carringer; he is "a man of indeterminate sexual identity found in circumstances making him vulnerable to being compromised. American Film Institute listed the film as #32 in AFI's 100 Years100 Thrills. [48], Roger Ebert wrote that "it is this sense of two flawed characters one evil, one weak, with an unstated sexual tension that makes the movie intriguing and halfway plausible, and explains how Bruno could come so close to carrying out his plan."[4]. Built on the cummins singapore email address, Animal Adventure Little Luxuries Premium 38 Jumbo Plush Dino. This is one of Alfred Hitchcock's most complex amd multi-layered films. Consider the scene where Guy is letting himself into his "[8] None was more demanding than Bruno's strangulation of Miriam, shown reflected in her eyeglass lens: "It was the kind of shot Hitchcock had been tinkering with for twenty yearsand Robert Burks captured it magnificently. This is a psychological thriller involves two young men who are strangers upon meeting each other on a train. face, and Guy stands to his right, outside the gate. This is one of Alfred Hitchcock's most complex amd multi-layered films. Burks was an exceptionally apt choice for what would prove to be Hitchcock's most Germanic film in years: the compositions dense, the lighting almost surreal, the optical effects demanding. is a plot made of ingenuity and amorality, based on the first novel by Patricia Walker eats up the scenery and appears charming at first, if too friendly, then he delves into hatred and . A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. Guy infers that Bruno intends to plant it at the scene of the murder and incriminate him. + a trailer. be accused of a crime he did not commit. Bruno wants to kill his father, but knows he will be caught because he has a motive. Brilliant. pickup than a chance encounter. in front of Guy's house, and he quickly moves behind the gate with Bruno; "The scene gives a beautifully exact symbolic expression to Guy's relationship with Bruno and what he stands for. Strangers on a Train ( 1951) 100-101 mins | Drama | 30 June 1951 Cast: Farley Granger, Ruth Roman, Robert Walker [ More ] Director: Alfred Hitchcock Writers: Raymond Chandler, Czenzi Ormonde, Whitfield Cook Producer: Alfred Hitchcock Cinematographer: Robert Burks Editor: William Ziegler Production Designer: Edward S. Haworth Production Company: "[59], Conversely, Bosley Crowther of The New York Times criticized the film: "Mr. Hitchcock again is tossing a crazy murder story in the air and trying to con us into thinking that it will stand up without support. But a men's three-set tennis match can be eleven hours or thirty minutes, depending on tiebreakers and whether it even goes to three sets at all. "[37] The powerful music accurately underscores the visuals of that title sequence the massive granite edifice of New York's Pennsylvania Station, standing in for Washington's Union Stationbecause it was scored for an unusually large orchestra, including alto, tenor and baritone saxes, three clarinets, four horns, three pianos and a novachord. It Is he dishonest? "[8], Hitchcock took a toy carousel and photographed it blown up by a small charge of explosives. On the train, he is recognized by Bruno Antony ( Robert Walker ), an overly friendly man who talks Guy into having lunch with him in his private cabin. To the man committed to a career in politics, Bruno represents a tempting overthrow of all responsibility. [12][15] Chandler took the job despite his opinion that it was "a silly little story. Bruno agrees to kill Guy's unfaithful wife, in return for which Guy will (or so it seems) kill Bruno's spiteful father. "[37] Bruno, who tells Guy on the train that he admires people "who do things", gets a more vigorous musical treatment from Tiomkin: "Harmonic complexity defines the motifs associated with Bruno: rumbling bass, shocking clusters, and glassy string harmonics. [42] Hitchcock and Patricia both were afraid of heights, and father offered daughter a hundred dollars to ride the Ferris wheel only to order the power cut, leaving her in the dark at the very top of the ride. "[4] Blurring the lines puts both Guy and Bruno on a good-evil continuum, and the infinite shades of gray in between, became Hitchcock's canvas for telling the story and painting his characters. [14] Talks with Dashiell Hammett got further,[12] but here too communications ultimately broke down, and Hammett never took the assignment. There can be no compromise in his work, his food or his wines. Talented Mr. Ripley," made into a 1999 movie in which her criminal hero Even classic endeavors like Fargo and A Simple Plan seem directly fueled by this concept"[64], Almar Haflidason was effusive about Strangers on a Train in 2001 at the BBC website: "Hitchcock's favourite device of an ordinary man caught in an ever-tightening web of fear plunges Guy into one of the director's most fiendishly effective movies. Senator Morton: She was a human being. Guy wants a divorce from his cheating wife, Miriam (Kasey Rogers), in order to marry Anne Morton (Ruth Roman), the daughter of a U.S. senator. Haines, a famous tennis player, is recognized on a train by Bruno Anthony, "criss-cross" murder deal in "Strangers on a Train" indeed Bruno does murder Guy's wife, and then demands that Guy keep his half of the The unusual angle was a more complex proposition than it seems. These disturbing sounds, heard to superb effect in cues such as 'The Meeting,' 'Senator's Office,' and 'Jefferson Memorial,' are not just about Bruno, but about how he is perceived by those whose lives he crossesfirst Guy, then everyone in Guy's entourage."[37]. "[48] It ratchets up a notch when Guy leaves Bruno's compartment and "forgets" his cigarette lighter. Reviewed in the United Kingdom on September 7, 2015, Reviewed in the United Kingdom on February 24, 2021, Reviewed in the United Kingdom on May 21, 2021, Learn more how customers reviews work on Amazon, Closed-captioned, NTSC, Full Screen, Black & White, English (Dolby Digital 1.0), Unqualified (DTS ES 6.1), French (Dolby Digital 1.0), Leo G. Carroll, Farley Granger, Hitchcock, Patricia, Lorne, Marion, Roman, Ruth. [13] Treatment writer Cook used Guy to make the film "a parable quietly defiant of the Cold War hysteria sweeping America. It "The man who crawled under the out-of-control carousel was not an actor or a stuntman, but a carousel operator who volunteered for the job. Better still, the two-sided DVD edition of this enduring classic includes both the original version of the film and also the longer prerelease British print, which offers a more overt depiction of Bruno's flamboyant and dangerous personality, and his homoerotic attraction to Guy by way of his deviously indecent proposal. Each will murder a stranger, with no apparent motive, so neither will be suspected. The camera switches back and forth from the tennis match to Bruno dropping the lighter down a grate of a storm drain and struggling to recover it. Strangers on a Train . Guy nervously steps into the shadows with Bruno, literally behind the bars of an iron fence; "You've got me acting like I'm a criminal", he says. Theatrical Trailer (SD; 2:34). As a plot, this has a neatness that Hitchcock must have found One is tennis star Guy Hianes (Farley Granger) who is in the process of divorcing his unfaithful wife and the other is Bruno Antony, (Robert Walker) the psychopath son of a wealthy man who hates. To add the following enhancements to your purchase, choose a different seller. "On one side of the street, [are] stately respectable houses; towering in the background, on the right of the screen, the floodlit dome of the U.S. Capitol, the life to which Guy aspires, the world of light and order. [69] A two-disc DVD edition was released in 2004 containing both versions of the film, this time with the "British" version titled "Preview Version" (102:49 long) and the "Hollywood" version titled "Final Release Version" (100:40 long). Upon its release in 1951, Strangers on a Train received mixed reviews. The original version (Side A) is an all-time thriller classic. The website's consensus reads, "A provocative premise and inventive set design lights the way for Hitchcock diabolically entertaining masterpiece. [12], Hitchcock then tried Raymond Chandler, who had earned an Oscar nomination for his first screenplay, Double Indemnity, in collaboration with Billy Wilder. Reviewed in the United States on September 29, 2021. [41] He was also photographed adding the letter L to Strangers on the official studio poster for the film,[26] thus changing the word to Stranglers. Hitchcock's biggest changes were in his two lead characters: The character called Bruno Antony in the film is called Charles Anthony Bruno in the book. wants dead. [7] The director found her "bristling" and "lacking in sex appeal" and said that she had been "foisted upon him. The first encounter between Bruno and Guy on the train is longer, and features a more obvious homoerotic flirtation by Bruno; In the scene where Guy sneaks out of his apartment to go to Bruno's house, a shot of him opening a drawer to get the map Bruno sketched is added; The very last scene in the US version, which involves a clergyman, was deleted. Strangers on a Train is a 1951 American psychological thriller film noir produced and directed by Alfred Hitchcock, and based on the 1950 novel Strangers on a Train by Patricia Highsmith. said that correct casting saved him a reel in storytelling time, since Yet both men, like so many of Hitchcock's protagonists, are insecure and uncertain of their identity. She initially praised it, writing: "I am pleased in general. [52], Nowhere is this more evident than the scene where Guy arrives home at his D.C. apartment to find Bruno lurking across the street; Bruno killed Miriam that evening in Metcalf, and has her glasses to give to Guy almost as a "receipt" that he has executed his part of their "deal". Guy, then, in a sense connives at the murder of his wife, and the enigmatic link between him and Bruno becomes clear.[51]. On this Wikipedia the language links are at the top of the page across from the article title. Poor unfortunate girl. Talking about the structure of the film, Hitchcock said to Truffaut, "Isn't it a fascinating design? What is the streaming release date of Strangers on a Train (1951) in Canada? The police question Guy, but cannot confirm his alibi: a professor Guy met on the train was so drunk that he cannot remember their encounter. In the casting of Anne Morton, Jack L. Warner got what he wanted when he assigned Ruth Roman to the project, over Hitchcock's objections. Hitchcock also cast Granger in "Rope" (1948), based on the 2003 biography says she often fell in love with straight women, and her stories Strangers on a Train movie clips: http://j.mp/1yz9FQeBUY THE MOVIE: http://j.mp/UinqkeDon't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6prCLIP DESCRIPTION:Guy (Farley Granger) notices a sinister face watching him from the crowd.FILM DESCRIPTION:In one of Alfred Hitchcock's suspense classics, tennis pro Guy Haines (Farley Granger) chances to meet wealthy wastrel Bruno Anthony (Robert Walker) on a train. Let me remind you that even the most unworthy of us has a right to life and the pursuit of happiness. As usual, Hitchcock kept his name out of the negotiations to keep the purchase price low. Made by movie fans, for movie fans.SUBSCRIBE TO OUR MOVIE CHANNELS:MOVIECLIPS: http://bit.ly/1u2yaWdComingSoon: http://bit.ly/1DVpgtRIndie \u0026 Film Festivals: http://bit.ly/1wbkfYgHero Central: http://bit.ly/1AMUZwvExtras: http://bit.ly/1u431frClassic Trailers: http://bit.ly/1u43jDePop-Up Trailers: http://bit.ly/1z7EtZRMovie News: http://bit.ly/1C3Ncd2Movie Games: http://bit.ly/1ygDV13Fandango: http://bit.ly/1Bl79yeFandango FrontRunners: http://bit.ly/1CggQfCHIT US UP:Facebook: http://on.fb.me/1y8M8axTwitter: http://bit.ly/1ghOWmtPinterest: http://bit.ly/14wL9DeTumblr: http://bit.ly/1vUwhH7 Reviewed in the United Kingdom on July 30, 2017, Reviewed in the United Kingdom on January 26, 2016. "[30] The first six takes went badlyElliott thudded to the floor with several feet yet to go[23]but on the seventh take, she floated smoothly all the way. "When Bruno openly suggests he would like to kill his wife, he merely grins and says 'That's a morbid thought,' but we sense the tension that underlies it. Guy wants Review of 2 Disc 2004 Warner Bros edition(with orange & white cover)- As this well known film(from 1951) is equally well analysed & described In many other reviews I'll just give an overview of what's on the discs. "[21] The more the film resolved in his mind's eye, the more he knew his director of photography would play a critical role in the scenes' execution. Reviewed in the United States on November 28, 2022. whose conversation shows a detailed knowledge of Guy's private life. Guy, on the other hand, shows little interest in eating the lunch, apparently having given it no advance thought, in contrast to Bruno, and he merely orders what seems his routine choice, a hamburger and coffee. reflected events in his private life; he had a nervous breakdown shortly after Highsmith was a chameleon, a renegade, an experimenter, a loner, and a fantastically brave innovator. [7] For six days, they shot at Penn Station in New York City, at the railroad station at Danbury, Connecticutwhich became Guy's hometown Metcalfand in spots around Washington, D.C.[7]. [19] Hitchcock preferred the writing credit of Whitfield Cook and Czenzi Ormonde, but Warner Bros. wanted the cachet of the Chandler name and insisted it stay on. director of photography That was my favorite part of the movie. The psychopath suggests that because they each want to "get rid" of someone, they should "exchange" murders, and that way neither will be caught. No matter how well a football team plays, the match has a fixed temporality. He told the obscure writer that the famous one hadn't written a solitary line he intended to use, and they would have to start all over on page one, using Cook's treatment as a guide. [9], Kasey Rogers (credited as Laura Elliott) noted that she had perfect vision at the time the movie was made, but Hitchcock insisted she wear the character's thick eyeglasses, even in long shots when regular glass lenses would have been undetectable. A carnival worker crawls underneath it and applies the brakes too abruptly, causing the carousel to spin off its support, trapping the mortally injured Bruno underneath. This piece of film he then enlarged and projected onto a vast screen, positioning actors around and in front of it so that the effect is one of a mob of bystanders into which plaster horses and passengers are hurled in deadly chaos. A recently found longer prerelease British print (Side B) offers "a startling amplification of Bruno's flamboyance, his homoerotic attraction to Guy and his psychotic personality," according to Bill Desowitz of Film Comment. The Strangers on a Train (1951) - Turner Classic Movies Strangers on a Train Brief Synopsis A man's joking suggestion that he and a chance acquaintance trade murders turns deadly. And the chocolate ice cream is probably what he thought about first. with him than with Granger's playboy. Hitchcock had a crew shoot background footage of the 1950 Davis Cup finals held August 2527, 1950 at the West Side Tennis Club in Forest Hills, New York. Next shot. Bruno's father, and neither would ever be suspected. Strange thing about this trip. "Hitchcock raced ahead of everyone: the script, the cast, the studio pieces of the film were dancing like electrical charges in his brain. "[5], The two characters, Guy and Bruno, can be viewed as doppelgngers. Ebert wrote: Hitchcock was a classical technician in terms of controlling his visuals, and his use of screen space underlined the tension in ways the audience isn't always aware of. She threatens to claim that he is the father, in order to thwart any divorce attempt. Strangers on a Train is a 1951 American psychological thriller film noir produced and directed by Alfred Hitchcock, and based on the 1950 novel Strangers on a Train by Patricia Highsmith. [21] The scripting team added the tennis match and the crosscutting with Bruno's storm drain travails in Metcalf added the cigarette lighter, the Tunnel of Love, Miriam's eyeglasses; in fact, the amusement park is only a brief setting in the novel.[21]. [56] In the movie, "Guy became a decent guy who refuses to carry out his part of the crazed bargain" writes Patrick McGilligan, "to head off the censors. Beyond all the historical footnotes and film-buff fascination, Strangers on a Train remains one of Hitchcock's crowning achievements and a suspenseful classic that never loses its capacity to thrill and delight. brainy criminals who functioned not out of passion but from careful The more you watch, the more you'll see. He always used the convention that the left side of the screen is for evil and/or weaker characters, while the right is for characters who are either good or temporarily dominant. Between the two versions of the film, the "British" version most prominently omits the final scene on the train. It was not enough for Hitchcock to construct merely a world of doubles even contrasting doubles in a strict polar-opposite structure; for Hitchcock, the good-and-evil, darkness-and-light poles "didn't have to be mutually exclusive. (original music by) Cinematography by Robert Burks . After appearances in his 2 best British films, "The 39 Steps" (1935) and "The Lady Vanishes" (1938) , the train was elevated to star billing along with the 2 male leads in "Strangers on a Train" (1951).Not only does the train move its passengers around, it is the location where one's diabolical "you do my murder, I"ll do yours" plot is hatched and used to seduce the other. The Train set design lights the way for Hitchcock diabolically entertaining masterpiece 's reads. Multi-Layered films of Alfred Hitchcock 's most efficient and ruthlessly delicious thrillers two men, the more you see. Enhancements to your purchase, choose a different seller Peter Benchley, Hitchcock. Extras: Commentary by Peter Bogdanovich, Peter Benchley, Alfred Hitchcock 's most complex amd multi-layered films pursuit... 32 in AFI 's 100 Years100 Thrills ], the two characters, Guy Bruno. Special Features and Extras: Commentary by Peter Bogdanovich, Peter Benchley, Alfred Hitchcock 's complex. 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